Begun in 1565 and completed in 1610, this dazzling Benedictine abbey church owes more to ancient Roman temples than the bombastic baroque of Palladio's day. Inside is a generously proportioned nave, with high windows distributing filtered sunshine. Two of Tintoretto's masterworks flank the altar, and a lift whisks visitors up the 60m-high bell tower for stirring panoramas – a great alternative to queuing at San Marco's campanile.